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Economic inequality is one of the great issues of our era. But what is inequality? Eric Sager argues that inequality is more than the distribution of income and wealth. Inequality is the idea that there are wide gaps between rich and poor, that the gaps are both an economic problem and a social injustice, and that the problem can be either eliminated or reduced. This idea arose in a transatlantic world, in the long evolution of political economy in Britain and the United States from classical economics to the emerging welfare economics of the twentieth century. Within this transatlantic frame inequality took a distinct form in Canada. It appeared among radical reformers and republicans in the 1830s. It arose in a critique of wealth among Protestant thinkers and their moral imperatives. The idea appeared among labour radicals and reformers who interpreted the conflict between capital and labour as a problem of distribution. For social gospelers inequality was a simplifying frame that made sense of an alien modernity of industry, urbanism, and class conflict. A tradition of idealist thought persisted in the twentieth century, sustaining the idea of inequality despite deep silences among Canadian economists. The idea appeared forcefully in social Catholicism in Quebec, and then waned in the political and intellectual justifications of the social security state. In the new era of inequality in our century, a political solution may rest upon the recovery of an older ethical idealism and in a historically-informed egalitarian politics."-- Publisher's description

Poppy used to be an optimist. But after a photo of her dressed as Rosie the Riveter is mocked online, she's having trouble seeing the good in the world. As a result, Poppy trades her beloved vintage clothes for a feathered chicken costume and accepts a job as an anonymous sign waver outside a restaurant. There, Poppy meets six-year-old girl Miracle, who helps Poppy see beyond her own pain, opening her eyes to the people around her: Cam, her twin brother, who is adjusting to life as an openly gay teen; Buck, a charming photographer with a cute British accent and a not-so-cute mean-streak; and Lewis a teen caring for an ailing parent, while struggling to reach the final stages of his gender transition. As the summer unfolds, Poppy stops glorifying the past and starts focusing on the present. But just as she comes to terms with the fact that there is good and bad in everyone, she is tested by a deep betrayal. -- Publisher's description

Named one of Time's Must-Read Books of 2020, and featuring stories that have appeared in Harper's, Granta, The Atlantic, and The Paris Review, this revelatory book of fiction from O. Henry Award winner Souvankham Thammavongsa establishes her as an essential new voice in Canadian and world literature. Told with compassion and wry humour, these stories honour characters struggling to find their bearings far from home, even as they do the necessary "grunt work of the world." A young man painting nails at the local salon. A woman plucking feathers at a chicken processing plant. A father who packs furniture to move into homes he'll never afford. A housewife learning English from daytime soap operas. In her stunning Giller Prize-winning debut book of fiction, Souvankham Thammavongsa focuses on characters struggling to make a living, illuminating their hopes, disappointments, love affairs, acts of defiance, and above all their pursuit of a place to make their own. In spare, intimate prose charged with emotional power and a sly wit, she paints an indelible portrait of watchful children, wounded men, and restless women caught between cultures, languages, and values. As one of Thammavongsa's characters says, "All we wanted was to live." And in these stories, they do—brightly, ferociously, unforgettably. A daughter becomes an unwilling accomplice in her mother's growing infatuation with country singer Randy Travis. A former boxer finds a chance at redemption while working at his sister's nail salon. A school bus driver must grapple with how much he's willing to give up in order to belong. And in the title story, a young girl's unconditional love for her father transcends language. Tender, uncompromising, and fiercely alive, How to Pronounce Knife establishes Souvankham Thammavongsa as one of the most important voices of her generation. --Publisher's description

The nature of employment is changing: low wage jobs are increasingly common, fewer workers belong to unions, and workplaces are being transformed through the growth of contracting-out, franchising, and extended supply chains. Closing the Enforcement Gap offers a comprehensive analysis of the enforcement of employment standards in Ontario. Adopting mixed methods, this work includes qualitative research involving in-depth interviews with workers, community advocates, and enforcement officials; extensive archival research excavating decades of ministerial records; and analysis of a previously untapped source of administrative data collected by Ontario’s Ministry of Labour. The authors reveal and trace the roots of a deepening "enforcement gap" that pervades nearly all aspects of the regime, demonstrating that the province’s Employment Standards Act (ESA) fails too many workers who rely on the floor of minimum conditions it was devised to provide. Arguably, there is nothing inevitable about the enforcement gap in Ontario or for that matter elsewhere. Through contributions from leading employment standards enforcement scholars in the US, the UK, and Australia, as well as Quebec, Closing the Enforcement Gap surveys innovative enforcement models that are emerging in a variety of jurisdictions and sets out a bold vision for strengthening employment standards enforcement. -- Publisher's description.

Comme toutes les grandes villes occidentales, Montréal fourmille de taxis qui parcourent les rues, font la navette entre l'aéroport et le centre-ville, attendent près des stations de métro, des hôpitaux et des grands hôtels. Trains, tramways, autobus, métros et vélos de Montréal ont eu droit à leur histoire, mais pas les taxis. Le monde du taxi est pourtant un sujet riche et complexe, un carrefour où se rencontrent plusieurs spécialisations de l'histoire : urbaine, politique, économique, sans oublier le travail et l'immigration. Depuis sa voiture, le chauffeur ou la chauffeuse est témoin des rapports tendus entre le travailleur et l'État, la ville et les citoyens, les quartiers excentrés et le centre-ville, le peuple et les élites. Il est aussi témoin des luttes entre la majorité francophone et les minorités culturelles, des mutations technologiques et de l'essor du transport en commun. Le monde du taxi, c'est aussi et surtout des travailleurs qui forment une catégorie sociale unique et qui pratiquent un métier rempli de paradoxes. Au fil de son enquête, faite de recherches sur l'industrie et d'entretiens avec ses acteurs, Jean-Philippe Warren en est venu à la conclusion que le chauffeur de taxi est la dernière incarnation du cowboy : libre de ses mouvements, de son emploi du temps, mais prisonnier de quantité de facteurs. Il peut arrêter de travailler quand il veut et travaille sans cesse. Il a toujours de l'argent dans ses poches, mais est pauvre. Il veut que l'État intervienne pour le protéger, mais exècre les régulations. Il pratique un métier monotone, mais rempli d'imprévus. Il est à la fois entouré de monde et seul. S'ajoutant à la diversité ethnique des membres de la profession, ces paradoxes créent une sous-culture absolument fascinante où se jouent des luttes de pouvoir économique et de contrôle territorial. Une sous-culture tout aussi difficile à intégrer qu'à quitter. En utilisant les ressources combinées de l'histoire et des sciences sociales, en mêlant l'examen des archives et l'enquête de terrain, cette première histoire du taxi à Montréal débouche sur un portrait inédit de la ville. Elle se veut aussi une contribution à la compréhension d'un monde qui cultive les extrêmes et qui, s'il veut se transformer pour le mieux, pour le bien-être de ses travailleurs, de leurs familles et des usagers, doit s'appuyer sur des données tangibles et une histoire critique. --Publisher's description