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In the decades following the Second World War, autoworkers were at the forefront of the labour movement. Their union urged members to rally in the streets and use the ballot box to effect change for all working-class people. But by the turn of this century, the Canadian Auto Workers union had begun to pursue a more defensive political direction. "Shifting Gears" traces the evolution of CAW strategy from transformational activism to transactional politics. Class-based collective action and social democratic electoral mobilization gave way to transactional partnerships as relationships between the union, employers, and governments were refashioned. This new approach was maintained when the CAW merged with the Communications, Energy and Paperworkers Union in 2013 to create Unifor, Canada’s largest private-sector union. Stephanie Ross and Larry Savage explain how and why the union shifted its political tactics, offering a critical perspective on the current state of working-class politics. -- Publisher's description
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In this book, independent experts analyze the performance of Justin Trudeau’s years in power in over 20 important areas of government policy. The record of what has been done–and what hasn’t–will surprise even well-informed readers. The focus is on six policy areas: Indigenous rights, governance and housing; the environment and energy; taxes and spending; healthcare and social benefits; foreign policy, immigration, and trade; and social policy including drug reform, labour rights, and racism. Editors Katherine Scott, Laura Macdonald, and Stuart Trew of the Canadian Centre for Policy Alternatives have recruited Canada’s most knowledgeable experts in their areas to contribute to this volume. -- Publisher's description
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The story of a people told through the story of a city. Niigaan Sinclair is often accused of being angry in his columns. But how can he not be? In a collection of writing that spans the discovery of hundreds of unmarked graves at residential school sites, the murder of young Indigenous girls, and the indifference towards the basic human rights of his family members, this book is inspired by his award-winning columns 'from the centre.' Niigaan examines the state of urban Indigenous life and legacy. At a crucial moment in Canada's reckoning with its crimes against the Indigenous peoples of the land, one of our most essential writers begins at the centre, capturing a web spanning centuries of community, art, and resistance. Based on years' worth of columns in the Winnipeg Free Press, CBC, and elsewhere, Niigaan Sinclair delivers a defining essay collection on the resilience of Indigenous peoples. Here, we meet the creators, leaders, and everyday people preserving the beauty of their heritage one day at a time. But we also meet the ugliest side of settler colonialism, and the communities who suffer most from its atrocities. Sinclair uses the story of Winnipeg to illuminate the reality of Indigenous life all over what is called Canada. This is a book that demands change and celebrates those fighting for it, that reminds us of what must be reconciled and holds accountable those who must do the work. It's a book that reminds us of the power that comes from loving a place, even as that place is violently taken away from you, and the magic of fighting your way back to it. -- Publisher's description
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Oil workers are often typecast as rough: embodying the toxic masculinity, racism, consumerist excess, and wilful ignorance of the extractive industries and petrostates they work for. But their poetry troubles these assumptions, revealing the fear, confusion, betrayal, and indignation hidden beneath tough personas. The Rough Poets presents poetry by workers in the Canadian oil and gas industry, collecting and closely reading work published between 1938 and 2019: S.C. Ells’s Northland Trails, Peter Christensen’s Rig Talk, Dymphny Dronyk’s Contrary Infatuations, Mathew Henderson’s The Lease, Naden Parkin’s A Relationship with Truth, Lesley Battler’s Endangered Hydrocarbons, and Lindsay Bird’s Boom Time. These writers are uniquely positioned, Melanie Dennis Unrau argues, both as petropoets who write poetry about oil and as theorists of petropoetics with unique knowledge about how to make and unmake worlds that depend on fossil fuels. Their ambivalent, playful, crude, and honest petropoetry shows that oil workers grieve the environmental and social impacts of their work, worry about climate change and the futures of their communities, and desire jobs and ways of life that are good, safe, and just. How does it feel to be a worker in the oil and gas industry in a climate emergency, facing an energy transition that threatens your way of life? Unrau takes up this question with the respect, care, and imagination necessary to be an environmentalist reader in solidarity with oil workers. -- Publisher's description