Depicting Mexican Labour for/within Contemporary Canadian Imperialism: Photography, Participation, and Power

This studio-based dissertation project emerges from my engagement with the politics of representation of labour and visual culture. Rooted in my experience as a Mexican artist living in Canada, the project examines how Mexican labour is framed through photography, performance, and installation. These themes form the central focus of my research, which moves across Lands and disciplinary forms to investigate how systems of power shape the representation of Mexican workers and how irony can be used as a tool to question dominant narratives. The written component of this dissertation forms part of an interdisciplinary thesis that includes a series of exhibitions and performances carried out between 2021 and 2025 in today’s Mexico and Canada. The artworks, presented across artist-run centres in Ontario and as outdoor installations, use staged photographs, installations, participatory works, to examine labour, value, and exchange. These pieces were shown in the province of Ontario, Canada and the state of Coahuila, Mexico. My thesis engages with a range of theoretical frameworks to support and extend my artistic practice. Drawing from visual culture theory, performance studies, and participatory art discourse, I incorporate the work of theorists such as Stuart Hall, Jacques Derrida, and Claire Bishop, among others. As a whole, this dissertation considers how visual and performance-based practices can challenge representations of Mexican labour across Lands and reflect on the systems that shape the movement of people, goods, and images. The written component includes five chapters, followed by photographic documentation of the works and exhibitions produced during my doctoral studies. Together, the writing and the artworks propose a critical reflection on contemporary labour and visual politics.