Full bibliography

In the first few years of the 1940s, poet P.K. Page was employed as a filing clerk for Allied War Supplies, a Montreal-based war firm tasked with producing and distributing materials needed for Canada's war effort. During this time, Page joined the editorial committee of Preview, a socialist poetry magazine to which she contributed a number of poems about office work, workers, and managerial culture. This essay reads that remarkable set of poems through a double lens: it first explores their documentary and diagnostic value as an insider's view of the office during what Graham S. Lowe calls the "administrative revolution"; it then shows how the socialist "work" of these poems is constrained by an aesthetic philosophy that defines the poet and poetry in opposition to labourers and labour-a stance that introduces a number of contradictions that account for the poems' strangely ambivalent and patronizing tone.