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The author reflects on his involvement with the Ontario Workers Arts and Heritage Centre in Hamilton, Ontario. Discusses historians' efforts to reach a wider audience, the use of artifacts and primary sources, and the competing arenas of historical interpretation. Concludes that working people could be involved with planning, development and organization of a presentation, and that presentations should be, at least to some extent, empowering.
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In this indispensable study of Canadian industrialization, Craig Heron examines the huge steel plants that were built at the turn of the twentieth century in Sydney and New Glasgow, Nova Scotia, and Trenton, Hamilton, and Sault Ste. Marie, Ontario. Presenting a stimulating analysis of the Canadian working class in the early twentieth century, Working in Steel emphasizes the importance of changes in the work world for the larger patterns of working-class life. Heron's examination of the impact of new technology in Canada's Second Industrial Revolution challenges the popular notion that mass-production workers lost all skill, power, and pride in the work process. He shifts the explanation of managerial control in these plants from machines to the blunt authoritarianism and shrewd paternalism of corporate management. His discussion of Canada's first steelworkers illuminates the uneven, unpredictable, and conflict-ridden process of technological change in industrial capitalist society. As engaging today as when first published in 1988, Working in Steel remains an essential work in Canadian history. --Pubisher's description
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For most Canadians today, Labour Day is the last gasp of summer fun: the final long weekend before returning to the everyday routine of work or school. But over its century-long history, there was much more to the September holiday than just having a day off. In The Workers' Festival, Craig Heron and Steve Penfold examine the complicated history of Labour Day from its origins as a spectacle of skilled workers in the 1880s through its declaration as a national statutory holiday in 1894 to its reinvention through the twentieth century. The holiday's inventors hoped to blend labour solidarity, community celebration, and increased leisure time by organizing parades, picnics, speeches, and other forms of respectable leisure. As the holiday has evolved, so too have the rituals, with trade unionists embracing new forms of parading, negotiating, and bargaining, and other social groups re-shaping it and making it their own. Heron and Penfold also examine how Labour Day's monopoly as the workers' holiday has been challenged since its founding, with alternative festivals arising such as May Day and International Women's Day. The Workers' Festival ranges widely into many key themes of labour history - union politics and rivalries, radical movements, religion (Catholic and Protestant), race and gender, and consumerism/leisure - as well as cultural history - public celebration/urban procession, urban space and communication, and popular culture. From St. John's to Victoria, the authors follow the century-long development of the holiday in all its varied forms. --Publisher's description
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