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The thesis examines the role, efficacy and influence of the five national English-language independent film and television production sector unions in the Canadian broadcasting policy network. While labour is typically classified as a civil society organization within policy networks studies, this thesis will examine the blanket applicability of this typology in analysing labour's engagement with issues that involve both their vested economic/industrial interests as well as broader social/cultural goals, using the unions' engagement with the issue of Canadian dramatic programming from 1998 to present as a case study.
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Analyzes the role played organized labour in advancing women's equity issues in the political arena, with particular focus on the period since the 2006 election of the Conservative [federal] government. --Editor's introduction
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We studied 14 universities across Canada and Australia to examine how the COVID-19 crisis, mediated through management strategies and conflict over financial control in higher education, influenced workers’ job security and affective outcomes like stress and happiness. The countries differed in their institutional frameworks, their union density, their embeddedness in neoliberalism and their negotiation patterns. Management strategies also differed between universities. Employee outcomes were influenced by differences in union involvement. Labour cost reductions negotiated with unions could improve financial outcomes, but, even in a crisis, management might not be willing to forego absolute control over finance, and it was not the depth of the crisis that shaped management decisions.
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